Not *quite* so simple


Hello, and thanks yet again to everyone who attended the MuseScore 4 Jump Start workshop! If you missed it live, or want to review, just click here for the recording.

Meanwhile, in Harmony and Chord Progressions, we are in week 5, starting our investigation of secondary dominants. This is a real turning point in the course, where we really get inside what I consider to be the most important sound in Western harmony. We'll be working on this material over the next two weeks.

Mastering MuseScore

For the ultimate guide to the world's most popular music notation software, see my online course Mastering MuseScore 4.

MuseScore Café

This week in the MuseScore Café with Marc Sabatella, we continue our first-Wednesday "ask me anything" series. Come with your questions and I'll do my best to answer!

The free MuseScore Café is live on Wednesday at 12:30 PM Eastern (16:30 GMT, or 17:30 during the winter months), and you can access past episodes in the archive.

Tip of the Week

Since we're starting to dive into non-diatonic chords in the Harmony and Chord Progressions course this week, I thought I'd give you some tips on accidentals. In this video post, I show how to enter them and discuss the meaning and value of "courtesy" accidentals.

Musicianship Skills

If you want to learn more about music - theory, composition, improvisation, and more - become a Gold level member and receive access to all of our music courses as well as exclusive benefits like my weekly Office Hours.

Music Master Class

This week in the Music Master Class with Marc Sabatella, we will be looking at some diatonic harmonizations done for the Harmony and Chord Progressions course and how one can extend them with secondary dominants. This will be a session you don't want to miss (and as always, it will be recorded).

The free Music Master Class is live on Thursday at 12:30 PM Eastern (16:30 GMT, or 17:30 during the winter months), and you can access past episodes in the archive.

In Theory

A few weeks ago, I demonstrated a "surprisingly simple" approach to playing songs from a lead sheet on the piano - melody in the right hand, bass note (usually the root) in the left, and at most one additional note where needed to define the chord. It works, but is obviously still pretty bare-bones. In this video post, I show you how to take this to the next level by playing full chords that are distributed between your hands.

Until next time, keep making music!
Marc Sabatella

c/o ConvertKit, 113 CHERRY ST #92768, Seattle, WA 98104-2205
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Outside Shore Music / Mastering MuseScore

This newsletter is for Pueblo musicians - to keep us all connected and informed about opportunities.

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